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Illustrious visitors by Gregg Miner, as part of www.minermusic.com)
We regret that the Miner Museum is not open to the public. |
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| 3/27-28/2007: John Doan stopped by after his Carlsbad Museum performance and other Southern Cal gigs. He treated Jaci and I to about half the Sor pieces from his upcoming harpolyre recording project and about half the tunes from his upcoming solo harp guitar CD (trust me, these are going to be two "must-haves" for guitar fans!). This rare 1829 harpolyre is likely the only specimen in the world that has ever been restored to playable condition and strung and tuned properly. John is the first performer in 175 years to perform on it. What a private concert! | |
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11/21/2006: Michael Chapdelaine played a gig down the street from me and I invited him over for a quick tour. Michael is a consummate classical guitarist-turned-steel string fingerstyle wiz - what an honor to get a private concert! Incredible arrangements, unique technique, and an absolutely astounding guitar by luthier Kevin Muiderman. |
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| 2/20/2006: Harp guitar ace Stephen Bennett stops by for a visit. First he tries out a different type of "harp-guitar" - Stumpke, c.1840, patterned after the famous 1831 "Scherr Patent Harp-Guitar." | Later, Stephen is introduced to the German
Stoessel-laute, a hybrid lute-zither, tuned in thirds, which is fretted
perpendicular to a guitar. In 5 minutes, he had figured out and already
written a tune. I hate him. |
OK, not really. Especially after my absolute favorite guitar player spent the evening serenading Jaci and I in our living room.... |
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| 2/16/2006: Alex de Grassi (another favorite guitarist), who hopes to get a harp guitar of his own someday, tries out the c.1899 Knutsen Symphony. Most guitar players vote this the best-sounding guitar in the collection. | But Alex and his friend, guitarist Thomas Leeb, are more delighted by the quartet of rare German Stoessel-lutes. |
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| 2/11/2006: The Rex James Duo (harp guitar & mandolin) stops by on a road trip all the way from Idaho. Harp guitarist Dave Powell is amazed by the tone of a 7-string bass zither banjo.... | ...while brother Tone takes the Miner-cello for a spin... |
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2/10/2006: Carolyn Grant and Tatiana Sizonenko direct and curate (respectively) NAMM's Museum of Making Music in Carlsbad, CA. With luthier-whiz Rick Turner in tow, they made the long pilgrimage to discuss some special exhibit ideas for the future. |
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1/19/2006: The Annual NAMM event in Anaheim often brings a few visitors (not as many as I would like - most are swamped with business for the week). My friend Rich Myers brought along the three gentlemen here: Versatile guitarist Joe Mass (again, loving that Knutsen!), electric 6-string violin player Owen Belduf, and Philadelphia neighbor Ed Angelo (a virtuoso amateur), captivated by the Mozzani. |
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| August, 2005: Benoit Meulle-Stef, my dear friend from Belgium, visits with his girlfriend, Anne-Sophie, on our way to the Portland Harp Guitar Gathering. Here, Ben gets his first (and last) lesson on the concert harp. | 2004: John and Deirdra Doan come to film my segment for John's In Search of the Harp Guitar DVD. |
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| 2004: Nancy Wilson (of Heart) came by to try out the Dolceola as an option for husband Cameron Crowe's Elizabethtown soundtrack. It didn't pass the audtion (as I expected, it was a little too quiet and "clacky"). OK, I admit I was just a little bit exited to pretend to duet with Ms. Wilson. God, I'm a geek! | 2/16/2003: I finally met my special friends Jean and Gilbert Findlay face to face. Jean is Chris Knutsen's relative (the infamous harp guitar inventor/builder), and the impetus to start The Knutsen Archives (which, of course, led to Harpguitars.net, and my my own worldwide infamy. |
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